Saturday, March 15, 2008


"Foer can place his reader's hand on the heart of human experienc, the transcendent beauty of human connections. Read, you can feel the life beating." --Philadelphia Inquirer

Jonathan Safran Foer's first novel, Everything Is Illuminated, won numerous awards and was made into a really great movie (if anyone wants to check it out). Since I'm struggling to know exactly what to say, I'm copying and pasting something from a different website.

"Meet Oskar Schell, an inventor, Francophile, tambourine player, Shakespearean actor, jeweler, pacifist. He is nine years old. And he is on an urgent, secret search through the five boroughs of New York. His mission is to find the lock that fits a mysterious key belonging to his father, who died in the attack on the World Trade Center. An inspired creation, Oskar is alternately endearing, exasperating, and hilarious as he careens from Central Park to Coney Island to Harlem on his search. Along the way he is always dreaming up inventions to keep those he loves safe from harm. What about a birdseed shirt to let you fly away? What if you could actually hear everyone's heartbeat? His goal is hopeful, but the past speaks a loud warning in stories of those who've lost loved ones before. As Oskar roams New York, he encounters a motley assortment of characters who are all survivors in their own way. Extremely Loud and Incredibly Close boldly approaches history and tragedy with humor, tenderness, and awe."

Just a warning. Foer's style is contemporary post-modernism, which means it might take some getting used to. He employs unusual techniques to amplify the power of his story. If you flip through the pages of the book you'll see blank pages, pictures, uneven spacing, and different type settings that are intended to make the experience of reading the prose more interactive--to immerse the reader entirely. Foer is an incredible writer, so immerse yourselves and enjoy.

Tuesday, March 11, 2008

Silent Spring Question #1

While this book was written in 1962, it seems that we are still facing some of the issues it addresses in a real way. Sam found this article yesterday. What do you think about it?

Silent Spring Question #2

Carson poses this question herself (pg.99): Can any civilization wage relentless war on life without destroying itself?

Silent Spring Question #3

I feel like this might be a stupid question, but I am going to ask it anyway. In both "The Omnivore's Dilemma" and "Silent Spring" there is discussion of the fact that we are often not actually paying the full price of commodities (whether for food or for pest control, etc.) because all of the various monetary impacts of those services are not calculated. Is it practical to think that we can even determine a "true," so-to-speak, price for such commodities? Does it actually matter because we end up paying the actual price in the end anyway? If we don't pay it, who does?

Silent Spring Question #4

As an American culture, we seem to be obsessed with solving problems chemically (pest control, losing weight, curing illness, growing and making food, etc.) instead of naturally. Does this ring true to you? If so, why do you think we are like this? If not, explain.

Silent Spring Question #5

Do you have any statements about the book or questions you would like to pose for the group?